Collections

Hand carved sculptural objects constitute a kind of architecture, a physical ordering of materials, technique and convention.

Small Ceramic Sculptures

Small Ceramic Sculptures
Bronze/Metal Sculptures

Bronze/Metal Sculptures
Small Wall Friezes - Limited Edition

Small Wall Friezes - Limited Edition
Large Ceramic Sculptures

Large Ceramic Sculptures
Stone/Marble Sculptures

Stone/Marble Sculptures
Wood Sculptures

Wood Sculptures
Cold Cast Sculptures

Cold Cast Sculptures
Concrete Sculptures

Concrete Sculptures
Glass Sculptures

Glass Sculptures
Ceramic Wall Friezes

Ceramic Wall Friezes
Sculptural Installations

Sculptural Installations
Japanese Sculptural Forms

Japanese Sculptural Forms
Drawings & Collages

Drawings & Collages
Wallpaper

Wallpaper
Prints - Limited Edition

Prints - Limited Edition

Jewellery

Jewellery

  • Working mostly with ‘naked clay’, that is without the use of glaze or slip, Cassell first carefully carves and then smoothes and burnishes to remove any blemishes, so virtually making the surface ‘ disappear’, leaving the form clean and prominent
    – Emmanuel Cooper

  • It is not easy to put into words the effect that Halima Cassell’s remarkable ceramic sculptures have on you when you first encounter a well displayed section of her work
    – Zachary Kingdom

  • Her main preoccupation and sculptural impulse is to penetrate beneath the skin of the form to reveal the structure within – the crystalline seed of the stone, or the skeleton-like armature she perceives within the clay. She does not carve exteriors but reveals interiors – the folded abstract inner landscapes of her singular and highly imaginative vision.
    – Andrew Lambirth, Art Critic - Spectator Magazine

  • Halima’s work demonstrates incredible dedication and energy; one thing is clear, she will be among the future pathfinders and leaders.
    – Alan Grieve, Chairman, The Jerwood Foundation

  • Cassell’s Work Is Subliminal in its originality, having no parallel in the sculptural or crafts genres, whose borders it crosses.
    – Jean Vacher, Collections Manger, Crafts Study Centre, Farnham

  • Her profound understanding of the geometric rules governing any given pattern, allow her to bend, or even break them.
    – Peter Randell-Page, Sculptor

  • The most inspiring ceramic work I have seen in thirty years! Beautiful, mesmerising, powerful and thoughtful. Genius! Love, love, love this work.
    – Judith Ramsgate, 53 years old

  • I find her work uplifting, I would never consider buying it solely as an investment
    – Eric Knowles (Ceramics Expert)

  • The work is of a high standard and creates an interesting contrast to the Da Vinci drawing. Can see the evolution of the process and the sculptures convey different ideas and theories. An excellent artist.
    – Jina

  • …Although Cassell is creating in different media – and respecting the unique characteristics of her material while doing so – she is also intent on discerning just how bronze, glass, marble and clay can ‘speak the same language
    – Ian Wilson