Exhibitions

Previous Exhibitions

2021

March - April Natural Geometry Gallery Pangolin, Chalford, Stroud Duo Exhibitions
September Halima Cassell & Emma Rogers Bluecoat Display Centre, Liverpool Duo Exhibitions

2020

March 7 - April 4 Landscape: Real and Imagined - showing with Eleri Mills Twenty Twenty Gallery, Ludlow, Shropshire Duo Exhibitions
September 7 2019 - July 25 2020 William Morris Wallpaper, examples on loan from the V&A Blackburn Museum & Art Gallery Duo Exhibitions

2014

August 1 - 4 Open Studio with Charlie and Pauline at Allanbank Mill Steading Allanton, Scotland, Invited Guest Duo Exhibitions

2013

September 7 - October 5 Puls Contemporary Ceramics Brussels Duo Exhibitions

2012

September 26 - November 2 RBS Brian Mercer Stone Carving Residency London Duo Exhibitions

2011

July 9 - September 11 Earth: Atmosphere Touchstone Gallery, Rochdale Duo Exhibitions

2010

April 27 - July 10 Earth: Atmosphere Bilston Craft Gallery, Wolverhampton Duo Exhibitions

2009

March 7 - April 18 Puls Contemporary Ceramics Brussels Duo Exhibitions

  • The work is of a high standard and creates an interesting contrast to the Da Vinci drawing. Can see the evolution of the process and the sculptures convey different ideas and theories. An excellent artist.
    – Jina

  • While working, Cassell becomes deeply involved in each piece to the point where she is unaware of her surroundings even watching her work on a piece for a few minutes, it is obvious that the process commands all her attention
    – Emmanuel Cooper

  • Her profound understanding of the geometric rules governing any given pattern, allow her to bend, or even break them.
    – Peter Randell-Page, Sculptor

  • I love this artist’s work. How she keeps her molten flowing themes through different media – stone, concrete, wood and even glass. Long to touch them. What a unique eye and hand she has. Wonderful.
    – Maureen Lepman

  • Cassell’s Work Is Subliminal in its originality, having no parallel in the sculptural or crafts genres, whose borders it crosses.
    – Jean Vacher, Collections Manger, Crafts Study Centre, Farnham

  • Her main preoccupation and sculptural impulse is to penetrate beneath the skin of the form to reveal the structure within – the crystalline seed of the stone, or the skeleton-like armature she perceives within the clay. She does not carve exteriors but reveals interiors – the folded abstract inner landscapes of her singular and highly imaginative vision.
    – Andrew Lambirth, Art Critic - Spectator Magazine

  • I find her work uplifting, I would never consider buying it solely as an investment
    – Eric Knowles (Ceramics Expert)

  • The geometry and the mathematics involved in Halima’s work have the same effect on me as listening to Bach: she manages to get the same essential harmony of shape, form and detail. Her pieces are deeply fashioned, which is unusual in ceramics
    – Eric Knowles (Ceramics Expert)

  • Beautiful – amazing to see someone work with such a variety of material to create such stunning, intricate pieces. I can imagine them out in the world, near water and nature. Beautiful, thank you.
    –

  • The most inspiring ceramic work I have seen in thirty years! Beautiful, mesmerising, powerful and thoughtful. Genius! Love, love, love this work.
    – Judith Ramsgate, 53 years old