Collections

Hand carved sculptural objects constitute a kind of architecture, a physical ordering of materials, technique and convention.

Small Ceramic Sculptures

Bronze/Metal Sculptures

Small Wall Friezes - Limited Edition

Large Ceramic Sculptures

Stone/Marble Sculptures

Wood Sculptures

Cold Cast Sculptures

Concrete Sculptures

Glass Sculptures

Ceramic Wall Friezes

Sculptural Installations

Japanese Sculptural Forms

Drawings & Collages

Wallpaper

Prints - Limited Edition

Jewellery

Her profound understanding of the geometric rules governing any given pattern, allow her to bend, or even break them.
– Peter Randell-Page, Sculptor
The most inspiring ceramic work I have seen in thirty years! Beautiful, mesmerising, powerful and thoughtful. Genius! Love, love, love this work.
– Judith Ramsgate, 53 years old
Cassell’s Work Is Subliminal in its originality, having no parallel in the sculptural or crafts genres, whose borders it crosses.
– Jean Vacher, Collections Manger, Crafts Study Centre, Farnham
The work is of a high standard and creates an interesting contrast to the Da Vinci drawing. Can see the evolution of the process and the sculptures convey different ideas and theories. An excellent artist.
– Jina
She set very high standards for herself and was tireless in her efforts to reach them. After just three months she was able to carry out complex, compelling, delicate and dynamic work.
– Helaine Blumenfeld OBE FRBS Dlitt
She was sketching constantly and continually sought to transpose her drawings into sculptural forms. The surface as well as the shapes emerged together in sculpture which often combined enormous complexity with simplicity and unity.
– Helaine Blumenfeld OBE FRBS Dlitt
Working mostly with ‘naked clay’, that is without the use of glaze or slip, Cassell first carefully carves and then smoothes and burnishes to remove any blemishes, so virtually making the surface ‘ disappear’, leaving the form clean and prominent
– Emmanuel Cooper
Her main preoccupation and sculptural impulse is to penetrate beneath the skin of the form to reveal the structure within – the crystalline seed of the stone, or the skeleton-like armature she perceives within the clay. She does not carve exteriors but reveals interiors – the folded abstract inner landscapes of her singular and highly imaginative vision.
– Andrew Lambirth, Art Critic - Spectator Magazine
While working, Cassell becomes deeply involved in each piece to the point where she is unaware of her surroundings even watching her work on a piece for a few minutes, it is obvious that the process commands all her attention
– Emmanuel Cooper
Cassell’s work encompasses and generates complexity and surprise. All of her sculptural work shares a language of geometry and volume but each is intriguingly different
– Elli Herring