Privacy Policy

Privacy Policy

We will always protect your privacy and will only use the information that we collect about you lawfully and in accordance with the Data Protection Act 1998.

We will hold and transmit your information in a safe, confidential and secure environment.

The information we request from you is to ensure we provide you with excellent service, including regular updates regarding the Company and its Products.

Please note that we may also provide you with marketing updates by email if you order goods and services from us and include your email address as the means of contacting you. You will be entitled to opt out of such future mailings by notifying us that you do not wish to receive them.

We will need to ask you:

  • Your Name
  • Address
  • Phone Number
  • E-mail Address

We will never collect information about you without your consent nor would we sell or pass on customer information to other companies.

The information we hold will be current and accurate. You can email or write to us requesting to view the information. If you find any inaccuracies we will delete and/or correct it.

Any questions or comments regarding privacy are welcomed.

Cookies and other information that is automatically logged

Our web site uses cookies to keep track of your visits to our web site. We may also use cookies to deliver content specific to your interests and in the future, we plan to use cookies to make sure you do not repeatedly see the same advertisement and to save your password so you don't have to re-enter it each time you visit our site.

We use your IP address to help diagnose problems with our server and to administer our website. Your IP address is also used to help identify you and your details on our database.

  • Halima’s work demonstrates incredible dedication and energy; one thing is clear, she will be among the future pathfinders and leaders.
    – Alan Grieve, Chairman, The Jerwood Foundation

  • Her signature material is clay, which she moulds and carves with natural authority and no little dexterity. Her crisply cut and satisfying forms live on in the mind… She is a force of nature.
    – Andrew Lambirth, Art Critic - Spectator Magazine

  • Her main preoccupation and sculptural impulse is to penetrate beneath the skin of the form to reveal the structure within – the crystalline seed of the stone, or the skeleton-like armature she perceives within the clay. She does not carve exteriors but reveals interiors – the folded abstract inner landscapes of her singular and highly imaginative vision.
    – Andrew Lambirth, Art Critic - Spectator Magazine

  • Cassell’s work encompasses and generates complexity and surprise. All of her sculptural work shares a language of geometry and volume but each is intriguingly different
    – Elli Herring

  • It is not easy to put into words the effect that Halima Cassell’s remarkable ceramic sculptures have on you when you first encounter a well displayed section of her work
    – Zachary Kingdom

  • The geometry and the mathematics involved in Halima’s work have the same effect on me as listening to Bach: she manages to get the same essential harmony of shape, form and detail. Her pieces are deeply fashioned, which is unusual in ceramics
    – Eric Knowles (Ceramics Expert)

  • …Although Cassell is creating in different media – and respecting the unique characteristics of her material while doing so – she is also intent on discerning just how bronze, glass, marble and clay can ‘speak the same language
    – Ian Wilson

  • The most inspiring ceramic work I have seen in thirty years! Beautiful, mesmerising, powerful and thoughtful. Genius! Love, love, love this work.
    – Judith Ramsgate, 53 years old

  • While working, Cassell becomes deeply involved in each piece to the point where she is unaware of her surroundings even watching her work on a piece for a few minutes, it is obvious that the process commands all her attention
    – Emmanuel Cooper

  • Cassell’s Work Is Subliminal in its originality, having no parallel in the sculptural or crafts genres, whose borders it crosses.
    – Jean Vacher, Collections Manger, Crafts Study Centre, Farnham